{"id":7308,"date":"2024-02-07T10:57:04","date_gmt":"2024-02-07T09:57:04","guid":{"rendered":"http:\/\/theyard-vfx.com\/stage\/?p=7308"},"modified":"2025-08-28T11:51:25","modified_gmt":"2025-08-28T09:51:25","slug":"france-vfx-industry-confirms-a-strong-momentum","status":"publish","type":"post","link":"http:\/\/theyard-vfx.com\/stage\/2024\/02\/07\/france-vfx-industry-confirms-a-strong-momentum\/","title":{"rendered":"France’s VFX industry confirms a strong momentum"},"content":{"rendered":"

[vc_row][vc_column][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb border_width=\u00a0\u00bb2″ accent_color=\u00a0\u00bb#bdae8d\u00a0\u00bb][vc_column_text]<\/p>\n

The PIDS event was inaugurated with the PIDSBiz conference track, featuring a half-day of discussions on the VFX industry. Representatives from various organizations gathered to exchange insights on the state of the French VFX industry and its prospects in the global market.<\/span><\/h6>\n

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The first half-day of PIDS Enghien, celebrating its 10th edition this year, provided an updated overview of the digital visual effects sector through several conferences grouped under the PIDSBiz banner.<\/p>\n

Industry figures were unveiled during a roundtable discussion featuring representative from The French National Centre of Cinema (CNC<\/a>), Audiens<\/a>, a nonprofit joint social protection group, professional syndicate Ficam<\/a>, and France VFX<\/a>, the Visual Effects Vendors Association.<\/p>\n

A second roundtablewith Daphn\u00e9 Lora, Head of Attractiveness Department at Film France-CNC<\/a> and representatives from major French VFX studios, including Laurens Ehrmann, CEO of The Yard, focused on France’s prospects in the global VFX market,<\/p>\n

Here are the key takeaways from these two conferences :<\/p>\n

[\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00a0\u00bb7332″ img_size=\u00a0\u00bbfull\u00a0\u00bb add_caption=\u00a0\u00bbyes\u00a0\u00bb alignment=\u00a0\u00bbcenter\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_column_text]A more widespread use of VFX in French productions, despite an ongoing concentration<\/strong><\/span>[\/vc_column_text][vc_column_text]<\/p>\n

According to the CNC study, in 2022, 85.8% of France-originated feature films incurred expenses in digital visual effects, which grew by 39.69% between 2021 and 2022. Despite this positive trend, VFX expenses only totaled \u20ac18.3 million, representing a decreasing share of the global film spending (2.4%).<\/p>\n

In 2022, only three French films allocated over \u20ac1 million to VFX, accounting for nearly one-third (29.6%) of total VFX expenditures. The Yard notably worked on the VFX of one of them, \u00ab\u00a0Notre Dame on Fire<\/em><\/a>,\u00a0\u00bb directed by Jean-Jacques Annaud, for which Laurens Ehrmann, CEO of The Yard, was awarded a C\u00e9sar for Best VFX<\/a>.<\/p>\n

[\/vc_column_text][vc_empty_space][vc_video link=\u00a0\u00bbhttps:\/\/vimeo.com\/784132191″][vc_empty_space][vc_single_image image=\u00a0\u00bb7310″ img_size=\u00a0\u00bbfull\u00a0\u00bb add_caption=\u00a0\u00bbyes\u00a0\u00bb alignment=\u00a0\u00bbcenter\u00a0\u00bb][vc_empty_space][vc_column_text]The influence of French talent on the international stage<\/strong><\/span>[\/vc_column_text][vc_column_text]<\/p>\n

According to France VFX, companies working internationally have seen a significant increase in their activity. Indeed, the tax rebate for international productions<\/a>\u00a0has had a real acceleration effect on the domestic industry. In 2022, nearly 35% of projects, a figure multiplied by 4 compared to 2019, benefited from this incentive.<\/p>\n

According to Daphn\u00e9 Lora from CNC, since 2020, over 116 million euros in expenditure commitment have been registered thanks to this scheme. 40% of international productions that shoot in France also partner with French studios for the VFX.<\/p>\n

She also highlights that the share of VFX-only projects is constantly increasing, This trend shows that international productions rely on French studios for VFX-heavy projects, even if the live shooting takes place in another country.<\/p>\n

She notably quoted \u00ab\u00a0The Rings of Power – Season 2<\/em><\/a>\u00a0\u00bb and \u00ab\u00a0Halo – Season 2<\/em><\/a>,\u00a0\u00bb currently in production at The Yard. By allocating more than 2 million euros for VFX works in France, these productions benefit from a 10% bonus, representing a 40% tax rebate on all eligible expenditures for the project.<\/p>\n

[\/vc_column_text][vc_empty_space][vc_video link=\u00a0\u00bbhttps:\/\/youtu.be\/GBEgoaLZzXM\u00a0\u00bb][vc_empty_space][vc_column_text]Maintaining France’s attractiveness\u00a0<\/strong><\/span>[\/vc_column_text][vc_column_text]<\/p>\n

The International Tax Credit has been extended until the end of 2026 as part of the 2024 Finance Bill, which is excellent news providing visibility to the sector. Still, the scheme is not sufficient to maintain the attractiveness of France’s VFX industry. Laurens Ehrmann, CEO of The Yard, pointed out the necessity to present a comprehensive strategy.<\/p>\n

On one hand, studios must be capable of responding to the requirements of international productions in terms of quality, planning, budget, internal processes, infrastructure, and behavior. He stressed the importance of highly experienced staff accustomed to working with international clients.<\/p>\n

On the other hand, French studios have to offer the right conditions to attract these highly qualified profiles back to France. Scope of work and project quality are key but the industry should pay attention to other factors, such as localization. In this regard, The Yard appointed last year Corentin Bachelet<\/a> as Head of Environment and Tom Fonvillars<\/a> as Head of CG. After a long-term experience in Canada, they both chose The Yard to come back to France, but in different locations – Corentin is based in Paris, while Tom chose Montpellier. In another roundtable dicussion at PIDS<\/a>, Denis Scolan<\/a>, Head of Compositing \/ 2D at The Yard, also expressed the weight of the location in his decision to come back to France.<\/p>\n

Audiens pointed out that Paris region indeed hosts the great majority of VFX studio headquarters despite a slow start to decentralization.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/2″][vc_empty_space][vc_single_image image=\u00a0\u00bb6290″ img_size=\u00a0\u00bbfull\u00a0\u00bb onclick=\u00a0\u00bbcustom_link\u00a0\u00bb link=\u00a0\u00bbhttp:\/\/theyard-vfx.com\/stage\/2023\/09\/07\/corentin-bachelet-appointed-head-of-environment\/\u00a0\u00bb][vc_empty_space][\/vc_column][vc_column width=\u00a0\u00bb1\/2″][vc_empty_space][vc_single_image image=\u00a0\u00bb6715″ img_size=\u00a0\u00bbfull\u00a0\u00bb onclick=\u00a0\u00bbcustom_link\u00a0\u00bb link=\u00a0\u00bbhttp:\/\/theyard-vfx.com\/stage\/2023\/11\/22\/tom-fonvillars-appointed-head-of-cg-at-the-yard-vfx\/\u00a0\u00bb][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_column_text]Foreseeable impacts on the French industry<\/strong><\/span>[\/vc_column_text][vc_column_text]<\/p>\n

As French studios increasingly collaborate with international clients, they are also affected by the recent Hollywood strikes. Reflecting on his previous participation in World VFX Day<\/a>, Laurens Ehrmann reinterated that the availability of actors for live shooting will continue to influence production schedules, consequently impacting post-production. The return to normal will probably be delayed towards the second semester of 2024.<\/p>\n

Meanwhile, the industry is preparing to navigate the restrictions on live shooting in Paris and other places in France during the Olympics, affecting both international and national productions. With most of the Paris monuments scanned, Laurens Ehrmann emphasized The Yard’s readiness to meet assets and environment requirements, as it was the case on ‘John Wick : Chapter 4<\/em><\/a>‘.<\/p>\n

[\/vc_column_text][vc_single_image image=\u00a0\u00bb7317″ img_size=\u00a0\u00bbfull\u00a0\u00bb add_caption=\u00a0\u00bbyes\u00a0\u00bb alignment=\u00a0\u00bbcenter\u00a0\u00bb onclick=\u00a0\u00bbcustom_link\u00a0\u00bb link=\u00a0\u00bbhttp:\/\/theyard-vfx.com\/stage\/2023\/05\/09\/inside-john-wick-4s-insane-arc-de-triomphe-scene-by-befores-and-afters-magazine\/\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_column_text]<\/p>\n

You can retrieve more details in the full report on\u00a0 the employment in France’s VFX industry, published by the CNC by clicking here<\/a>.<\/p>\n

French trade press, Le Film Fran\u00e7ais, published a thorough article on the conferences that can be accessed here.<\/a>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n

Find out about our work here.<\/strong><\/span><\/a><\/span><\/p>\n

[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n

MORE NEWS<\/h4>\n

[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb accent_color=\u00a0\u00bb#bcae8d\u00a0\u00bb][vc_masonry_grid post_type=\u00a0\u00bbpost\u00a0\u00bb max_items=\u00a0\u00bb4″ element_width=\u00a0\u00bb3″ item=\u00a0\u00bbmasonryGrid_OverlayWithRotation\u00a0\u00bb grid_id=\u00a0\u00bbvc_gid:1756374578891-15270df2-f61c-7″ exclude=\u00a0\u00bb5954, 6712, 6293″][vc_empty_space][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

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Representatives from…<\/p>\n","protected":false},"author":3,"featured_media":7330,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[46,48],"tags":[102,49,60,62,78],"class_list":["post-7308","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","category-news","tag-halo2","tag-johnwick4","tag-notredamebrule","tag-pids","tag-theringsofpower"],"yoast_head":"\nFrance's VFX industry confirms a strong momentum - THE YARD VFX<\/title>\n<meta name=\"description\" content=\"Get the latest figures of France's VFX industry, as presented during various roundtable discussions at PIDS 2024 event.\" \/>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"France's VFX industry confirms a strong momentum - 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