{"id":4992,"date":"2023-03-14T23:54:38","date_gmt":"2023-03-14T22:54:38","guid":{"rendered":"http:\/\/theyard-vfx.com\/stage\/?p=4992"},"modified":"2023-05-10T17:29:38","modified_gmt":"2023-05-10T15:29:38","slug":"enola-holmes-2-environments-by-voice-of-vfx","status":"publish","type":"post","link":"https:\/\/theyard-vfx.com\/stage\/2023\/03\/14\/enola-holmes-2-environments-by-voice-of-vfx\/","title":{"rendered":"VFX Voice interviews The Yard VFX and Spin VFX on creating the environments of Enola Holmes 2"},"content":{"rendered":"<p>[vc_row][vc_column][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb border_width=\u00a0\u00bb2&Prime; accent_color=\u00a0\u00bb#bdae8d\u00a0\u00bb][vc_column_text]<\/p>\n<h6 style=\"text-align: justify;\"><span style=\"font-size: 20px;\">The Yard VFX and Spin VFX teams respond to the questions of VFX Voice magazine on bringing to life early 20th century London in Enola Holmes 2.<\/span><\/h6>\n<p>[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb border_width=\u00a0\u00bb2&Prime; accent_color=\u00a0\u00bb#bdae8d\u00a0\u00bb][vc_column_text]From initial mood boards to the final shots, discover <a href=\"https:\/\/www.vfxvoice.com\/turn-of-the-20th-century-london-comes-to-life-in-enola-holmes-2\/\" target=\"_blank\" rel=\"noopener\">in this article published by VFX Voice <\/a>how the teams from The Yard VFX studio worked along with Spin VFX and the film production team to create the environment outside and inside the matchstick factory.<\/p>\n<p>Laurens Ehrmann, Senior VFX Supervisor and Aymeric Aute, VFX Supervisor talk about the different challenges, how they managed to overcome them, and how they succeeded in bringing the director&rsquo;s creative vision to screen.[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb border_width=\u00a0\u00bb2&Prime; accent_color=\u00a0\u00bb#bdae8d\u00a0\u00bb]<div class=\"gt-testimonials gt-style-4 gt-light gt-align-left\"><div class=\"gt-grid gt-grid-1 gt-spacing-10\"><div class=\"gt-grid-col\"><div class=\"gt-item\"><div class=\"gt-text\"><p>[F]or the aerial drone shot, the initial on-location plate over the river with the dock, we were supposed to keep the water as it is, but to ease the connection between our CG environment and the water, we decided to recreate everything, including the water. With the CG water we were able to manage the connection with the wooden docks, to add this kind of morning smoke over the water. We were asked to connect the street with the water with a drain, but an inclined plane, where the water is flowing over the bricks. So, the idea to recreate everything was a good one, as it gave us the ability to connect everything.<\/p>\n<\/div><div class=\"gt-name\"><span>Laurens Ehrmann<\/span><span class=\"gt-subtitle\">Founder and Senior VFX Supervisor, The Yard VFX<\/span><\/div><\/div><\/div><\/div><\/div>[vc_empty_space][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb border_width=\u00a0\u00bb2&Prime; accent_color=\u00a0\u00bb#bdae8d\u00a0\u00bb][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 16px;\">The work of the teams at The Yard VFX has been rewarded earlier this year by a GENIE Award for Best Environment.<\/span><\/p>\n<p>[\/vc_column_text][vc_single_image image=\u00a0\u00bb5003&Prime; img_size=\u00a0\u00bbfull\u00a0\u00bb alignment=\u00a0\u00bbcenter\u00a0\u00bb][vc_column_text]<\/p>\n<p style=\"text-align: justify;\"><span style=\"text-decoration: underline;\"><a href=\"http:\/\/theyard-vfx.com\/stage\/title-item\/enola-holmes-2\/\"><span style=\"font-size: 20px;\"><strong>Find out about our work on Enola Holmes 2 here.\u00a0<\/strong><\/span><\/a><\/span><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_column_text]<\/p>\n<h4>MORE NEWS<\/h4>\n<p>[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb border_width=\u00a0\u00bb2&Prime; accent_color=\u00a0\u00bb#bdae8d\u00a0\u00bb][vc_masonry_grid post_type=\u00a0\u00bbpost\u00a0\u00bb max_items=\u00a0\u00bb4&Prime; element_width=\u00a0\u00bb3&Prime; orderby=\u00a0\u00bbrand\u00a0\u00bb item=\u00a0\u00bbmasonryGrid_OverlayWithRotation\u00a0\u00bb grid_id=\u00a0\u00bbvc_gid:1683732557609-e1aa7d8a-5e80-9&Prime; exclude=\u00a0\u00bb4992&Prime;][vc_empty_space][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb border_width=\u00a0\u00bb2&Prime; accent_color=\u00a0\u00bb#bdae8d\u00a0\u00bb][vc_column_text] The Yard VFX and Spin VFX teams respond to the questions of VFX Voice magazine on bringing to life early 20th&#8230;<\/p>\n","protected":false},"author":3,"featured_media":4998,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[50],"tags":[55],"class_list":["post-4992","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-press","tag-enolaholmes2"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.5 - 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