{"id":6660,"date":"2023-11-14T16:37:53","date_gmt":"2023-11-14T15:37:53","guid":{"rendered":"http:\/\/theyard-vfx.com\/stage\/?p=6660"},"modified":"2025-07-15T23:38:45","modified_gmt":"2025-07-15T21:38:45","slug":"france-vfx-industry-expanding","status":"publish","type":"post","link":"https:\/\/theyard-vfx.com\/stage\/2023\/11\/14\/france-vfx-industry-expanding\/","title":{"rendered":"France\u2019s VFX Industry Expanding to Meet Growing Demand"},"content":{"rendered":"<p>[vc_row][vc_column][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb accent_color=\u00a0\u00bb#bcae8d\u00a0\u00bb][vc_column_text]<\/p>\n<h6 style=\"text-align: justify;\"><span style=\"font-size: 20px;\"><b>Variety has interviewed Laurens Ehrmann, CEO of The Yard, about the expansion of France&rsquo;s visual effects industry and the evolving perception among filmmakers regarding partnerships with French studios.\u00a0<\/b><\/span><\/h6>\n<p>[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb accent_color=\u00a0\u00bb#bcae8d\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">In a recent article, <a href=\"https:\/\/variety.com\/2023\/artisans\/global\/france-vfx-industry-expanding-1235772533\/\" target=\"_blank\" rel=\"noopener\">Variety<\/a> reports that France&rsquo;s visual effects (VFX) workforce has experienced significant growth, largely attributed to a 10% tax rebate for international productions. Indeed, non-French productions spent over $2.1 million with local digital outfits. American studios, taking advantage of a 40% tax rebate on post-production expenditures, have also contributed to this boom, encouraging skilled talent to stay or return to France. One notable example is the recent appointment of <a href=\"http:\/\/theyard-vfx.com\/stage\/2023\/09\/07\/corentin-bachelet-appointed-head-of-environment\/\" target=\"_blank\" rel=\"noopener\">Corentin Bachelet<\/a> as Head of Environment at The Yard.<\/p>\n<p style=\"text-align: justify;\">Laurens Ehrmann, CEO of The Yard, was interviewed by <a href=\"https:\/\/variety.com\/2023\/artisans\/global\/france-vfx-industry-expanding-1235772533\/\" target=\"_blank\" rel=\"noopener\">Variety<\/a> to comment on the industry&rsquo;s growth and a perceptible shift in the mindset of international productions. According to him, they are no longer seeking French providers solely for tax credits but also for high-quality VFX services.<\/p>\n<p>[\/vc_column_text][vc_empty_space][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb accent_color=\u00a0\u00bb#bcae8d\u00a0\u00bb]<div class=\"gt-testimonials gt-style-4 gt-light gt-align-left\"><div class=\"gt-grid gt-grid-1 gt-spacing-0\"><div class=\"gt-grid-col\"><div class=\"gt-item\"><div class=\"gt-text\"><p>\"Today, we get more work by word-of-mouth, as producers and editors pass along our name. Whereas before productions might spend the $2.1 million just to take advantage of the full tax credit, today productions that have never shot in France come to us directly\u201d with much more substantial VFX buys.<\/p>\n<\/div><div class=\"gt-name\"><span>Laurens Ehmann<\/span><span class=\"gt-subtitle\">CEO, The Yard <\/span><\/div><\/div><\/div><\/div><\/div>[vc_empty_space][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb accent_color=\u00a0\u00bb#bcae8d\u00a0\u00bb][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">As <a href=\"https:\/\/variety.com\/2023\/artisans\/global\/france-vfx-industry-expanding-1235772533\/\" target=\"_blank\" rel=\"noopener\">Variety<\/a> notes, notable projects such as Disney&rsquo;s \u00ab\u00a0<a href=\"http:\/\/theyard-vfx.com\/stage\/title-item\/indiana-jones-5\/\" target=\"_blank\" rel=\"noopener\"><em>Indiana Jones and the Dial of Destiny<\/em><\/a>\u00a0\u00bb and Amazon&rsquo;s \u00ab\u00a0<a href=\"http:\/\/theyard-vfx.com\/stage\/title-item\/the-rings-of-power-season-2\/\" target=\"_blank\" rel=\"noopener\"><em>The Rings of Power<\/em><\/a>\u00a0\u00bb have allowed The Yard to expand, resulting in the establishment of new branches outside of Paris. In June 2023, the studio inaugurated its second site in <a href=\"http:\/\/theyard-vfx.com\/stage\/2023\/06\/28\/the-yard-opens-its-new-studio-in-montpellier\/\" target=\"_blank\" rel=\"noopener\">Montpellier<\/a>, in the South of France, following the detection of a new pool of talent.<\/p>\n<p>[\/vc_column_text][vc_empty_space][vc_video link=\u00a0\u00bbhttps:\/\/youtu.be\/eQfMbSe7F2g?si=SxC5uaGL2qIhMBfX\u00a0\u00bb align=\u00a0\u00bbcenter\u00a0\u00bb][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">In the interview, Laurens Ehrmann emphaiszed the studio&rsquo;s partnerhsip with the top-ranking VFX and animation school, <a href=\"http:\/\/theyard-vfx.com\/stage\/2023\/01\/21\/the-yard-x-artfx\/\" target=\"_blank\" rel=\"noopener\">ArtFX<\/a>. The robust relationship between the two entitites has influenced The Yard&rsquo;s decision to open a new office on ArtFX&rsquo;s recently inaugurated campus in Lille, supported by France 2030.<\/p>\n<p style=\"text-align: justify;\">In addition, Laurens Ehrmann highlighted the evolving landscape, stating that companies must actively seek talent. The Yard, in collaboration with educational institutions like ArtFX, aims to adapt and stay flexible to meet the demands of the growing VFX industry.<\/p>\n<p>[\/vc_column_text][vc_empty_space][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb accent_color=\u00a0\u00bb#bcae8d\u00a0\u00bb]<div class=\"gt-testimonials gt-style-4 gt-light gt-align-left\"><div class=\"gt-grid gt-grid-1 gt-spacing-0\"><div class=\"gt-grid-col\"><div class=\"gt-item\"><div class=\"gt-text\"><p>Today, companies have to reach out to the talent. So it\u2019s up to us entrepreneurs to reinvent ourselves, to be much more flexible and create something new.<\/p>\n<\/div><div class=\"gt-name\"><span>Laurens Ehmann<\/span><span class=\"gt-subtitle\">CEO, The Yard <\/span><\/div><\/div><\/div><\/div><\/div>[vc_empty_space][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb accent_color=\u00a0\u00bb#bcae8d\u00a0\u00bb][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">You can read the full article on Variety&rsquo;s website <a href=\"https:\/\/variety.com\/2023\/artisans\/global\/france-vfx-industry-expanding-1235772533\/\" target=\"_blank\" rel=\"noopener\">by clicking here<\/a>.<\/p>\n<p style=\"text-align: justify;\">The intervview was conducted prior to Variety hosting the <a href=\"https:\/\/variety.com\/2023\/biz\/news\/variety-filmmaking-in-france-event-1235784716\/\" target=\"_blank\" rel=\"noopener\">U.S Filmmaking in France<\/a> event, organized by <a href=\"https:\/\/www.filmfrance.net\/en\/\" target=\"_blank\" rel=\"noopener\">Film France CNC<\/a> and <a href=\"https:\/\/villa-albertine.org\/\" target=\"_blank\" rel=\"noopener\">Villa Albertine<\/a>, on November 14th in Los Angeles.<\/p>\n<p style=\"text-align: justify;\">During this occasion, Laurens Ehrmann will be participating to a panel discussion entitled \u00ab\u00a0Choosing France for Your VFX\u00a0\u00bb. The full agenda of the conference is available <a href=\"https:\/\/variety.com\/2023\/biz\/news\/variety-filmmaking-in-france-event-1235784716\/\" target=\"_blank\" rel=\"noopener\">by clicking here<\/a>.<\/p>\n<p>[\/vc_column_text][vc_single_image image=\u00a0\u00bb6662&Prime; img_size=\u00a0\u00bbfull\u00a0\u00bb alignment=\u00a0\u00bbcenter\u00a0\u00bb onclick=\u00a0\u00bbcustom_link\u00a0\u00bb img_link_target=\u00a0\u00bb_blank\u00a0\u00bb link=\u00a0\u00bbhttps:\/\/variety.com\/2023\/biz\/news\/variety-filmmaking-in-france-event-1235784716\/\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_column_text]<span style=\"text-decoration: underline;\"><a href=\"http:\/\/theyard-vfx.com\/stage\/our-work\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-size: 20px;\"><strong>Find out about our work here.<\/strong><\/span><\/a><\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_column_text]<\/p>\n<h4>MORE NEWS<\/h4>\n<p>[\/vc_column_text][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb accent_color=\u00a0\u00bb#bcae8d\u00a0\u00bb][vc_masonry_grid post_type=\u00a0\u00bbpost\u00a0\u00bb max_items=\u00a0\u00bb4&Prime; element_width=\u00a0\u00bb3&Prime; item=\u00a0\u00bbmasonryGrid_OverlayWithRotation\u00a0\u00bb grid_id=\u00a0\u00bbvc_gid:1752615429783-e413a6a6-87dc-0&Prime; exclude=\u00a0\u00bb5954, 6293, 6660&Prime;][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_separator color=\u00a0\u00bbcustom\u00a0\u00bb accent_color=\u00a0\u00bb#bcae8d\u00a0\u00bb][vc_column_text] Variety has interviewed Laurens Ehrmann, CEO of The Yard, about the expansion of France&rsquo;s visual effects industry and the evolving perception among&#8230;<\/p>\n","protected":false},"author":3,"featured_media":6661,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[50],"tags":[88,54,78],"class_list":["post-6660","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-press","tag-artfx","tag-indianajones5","tag-theringsofpower"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.5 - 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